Traditional Potter Remembers Fukushima Disaster

2021-03-11

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1
  • On March 11, 2011, Toshiharu Onoda had just finished preparing pottery at his workshop in the town of Namie close to the Fukushima Daiichi nuclear power plant when a huge earthquake struck.
  • 2
  • Onoda and many others were forced to flee as a tsunami destroyed part of the nuclear center releasing radiation into the area.
  • 3
  • Onoda's workshop was left in ruins.
  • 4
  • Ten years later, Onoda has returned to the town of Namie in Fukushima.
  • 5
  • But, Onoda says, everything about the town has changed.
  • 6
  • Half of his fellow potters have quit.
  • 7
  • About 80 percent of the town still remains off-limits because of high radiation levels.
  • 8
  • Even the materials used to make the clay containers can no longer be gathered and processed there.
  • 9
  • But with all the loss he has experienced, Onoda has continued the Oborisoma-yaki pottery tradition now in its 13th generation.
  • 10
  • "I would like to pass Oborisoma-yaki, a tradition with a history of more than 300 years to the next generations. That is my goal," he said.
  • 11
  • Onoda still hopes to reopen his own workshop in Namie one day.
  • 12
  • But for now, Onoda and Namie's remaining potters will work at a new showroom set to open soon.
  • 1
  • On March 11, 2011, Toshiharu Onoda had just finished preparing pottery at his workshop in the town of Namie close to the Fukushima Daiichi nuclear power plant when a huge earthquake struck.
  • 2
  • Onoda and many others were forced to flee as a tsunami destroyed part of the nuclear center releasing radiation into the area.
  • 3
  • Onoda's workshop was left in ruins.
  • 4
  • Ten years later, Onoda has returned to the town of Namie in Fukushima.
  • 5
  • But, Onoda says, everything about the town has changed.
  • 6
  • Half of his fellow potters have quit. About 80 percent of the town still remains off-limits because of high radiation levels.
  • 7
  • Even the materials used to make the clay containers can no longer be gathered and processed there.
  • 8
  • But with all the loss he has experienced, Onoda has continued the Oborisoma-yaki pottery tradition now in its 13th generation.
  • 9
  • "I would like to pass Oborisoma-yaki, a tradition with a history of more than 300 years to the next generations. That is my goal," he said.
  • 10
  • Onoda still hopes to reopen his own workshop in Namie one day.
  • 11
  • But for now, Onoda and Namie's remaining potters will work at a new showroom set to open soon.
  • 12
  • Gloria Tso reported this story for Reuters. Mario Ritter Jr. adapted it for VOA Learning English. Hai Do was the editor.
  • 13
  • ______________________________________________
  • 14
  • Words in This Story
  • 15
  • pottery -n. objects that are made out of clay and baked in an oven to harden
  • 16
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